 My woodblock prints and a few carved blocks are currently on display at the Montgomery College, Germantown Campus.
AMAND GORDON MILLER An Exhibition of Woodcut Relief Prints (Landscape!, Color!, Nature!) Feb 7 - March 14, 2014 Montgomery College Germantown campus - HT Building, Atrium Gallery Reception: Feb 11, 3:00 - 5:00 pm - HT Atrium Artist's Talk: Feb 18, 3:00 - 5:00 pm, Globe Hall, HT Building Click here for a map of the campus. The exhibit is in the HT Building. Hope to see you there!
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My studio was all dressed up for the reception and open studio event in June, so I took a few pictures. This is where the magic happens. It is a great place to work!  The Resident Visual Artist Exhibition is on display at the Howard County Center for the Arts through June 23, 2013. This is a great chance to see what all the resident artists have been working on in their studios. Come check it out! Also, please mark your calendars for the closing reception, June 20, from 6 to 8 p.m., with open studios from 7 to 8 p.m. This woodblock print is one of 5 pieces I have in the show. It is based on a view of the Niagara River, in Niagara Falls, NY. The artwork is printed from one Shina woodblock. It was printed using the reduction method, in which a single block is carved and printed in stages. Title: Niagara River Medium: Woodblock Print (Reduction Method) Paper: Rives BFK, White Paper Size: 10 x 14" Image Size: 8 x 12" Block: Shina Ink: Akua Intaglio Edition size: 13 
 Alpacas for the Ace of Hearts in an Art in Hand animals deck. I previously posted about the Alpacas in Progress and here is the final print! My goal was to get One Good Print for the Art in Hand deadline. When both my kids were sick the week before, I wasn't sure how it was going to happen. I carved my color blocks at home, over several days, then printed in my studio, on the very day/night that they were due! There must have been some magic in my studio because it all came together, calmly and not in a hurried frenzy. I was even able to go to bed at a decent hour, and for that I am grateful! I took some photographs of the process:  This is the black and white proof, which I hand-colored with watercolor crayons. I have a set of 40 Caran d'Ache Neocolor crayons, which provide a great range of colors and I can get a sense of what will happen when I layer colors, as well.  The key block is on the far right, and to the left are three of the color blocks. The fourth color block is actually the backside of another block.  Here is the set with the two-sided block flipped over. Side note: check out my new Ribba picture ledge from Ikea! It is great for getting blocks and frames up off my table tops to clear the surfaces (or make room for more stuff, as you can see here). Next time I go to Ikea, I plan to stock up on these and line my studio walls with them. 
So, there it is! I said before that it is for the Queen of Hearts but it is actually for the Ace of Hearts. I'm looking forward to seeing the decks in a few months. In the meantime, my next step will be to print my edition of alpacas--I'm planning for an edition of 35.
Here are the details: Title: Alpacas Paper: Rives BFK Paper Size: 10 1/2 x 13" Image Size: 8 1/2 x 11" Block: Shina--5 blocks Ink: Akua Intaglio Edition size: 35 I tend to have several projects going at different stages, and each evolves at its own pace. Here is a quick slideshow of what's happening in my studio at present. Enjoy!  Fairy Woods in Winter, Woodblock Print (5 blocks), 2012 Form and Fabric of Our Lives IV: Artistic Gifts of the Season Exhibition, Willow and Garden Galleries at Quiet Waters Park, Annapolis, MD. November 14, 2012—January 6, 2013.
I'm thrilled to have many pieces (woodblock prints and handmade paper) included in this exhibition, currently on view at Quiet Waters Park. The opening reception is Sunday, November 18, 2012. 2-4pm, and it is free to the public to those who notify gate attendant. Click HERE for a preview of the show. Click HERE for directions and info on the park or HERE for The Friends of Quiet Waters Park. It is a beautiful place, with lovely trails, a playground, and even ice skating! Hope to see you there! 
This print is based on a photograph taken in central Illinois by my Gran. Several years ago she sent it to me, with a title written on the back "Faerie Woods in Winter." She did not like the cold, but would always comment on how sparkling and beautiful the snow looked on a sunny day. I like to think that she would like my interpretation. Title: Fairy Woods in Winter (Version 2) Paper: Rives BFK White Paper Size: 12" x 16" Image Size: 10" x 14" Block: Shina--5 blocks Ink: Akua Intaglio Edition size: 45 Below are photos of the blocks, in the order that they were printed. Though it was printed last, I actually carved the black, tree block first. Then, I printed it on Yupo (a recyclable, synthetic, non-obsorbent paper) and transferred it to the other blocks. That is why you can see the trees prints on some of the color blocks.  Pale yellow sun-- a mixture of yellow and titanium white  Pale, transparent blue--a mixture of titanium white, pthalo blue, ultramarine blue, payne's gray, and transparency base.  A darker version of the blue above. Same colors in the mixture, minus titanium white.  Carbozole violet with a small amount of transpancy base.  Carbon black.
Welcome to my new blog and redesigned website! After five years with my old blog, I'm sorry to leave it behind, but I couldn't resist the "neatness" of having everything located within one website. My old blog will remain as an archive--it's linked at the right as Blogger Archive.  Title: Dusk, View from the Highway Paper: Magnani Pescia, Cream Paper Size: 11 x 14" Image Size: 9 x 12" Block: Cherry, 2 blocks Ink: Akua Intaglio Edition size: 45  One of my first prints of the New Year! I normally carve Shina Plywood for my woodblocks, but this time I chose Cherry because I knew I wanted some fine detail in the branches. Carving the harder wood took some getting used to, but for this project, it was worth it! It was really a joy to be able to carve around tiny little lines and have them hold up well.
The blue sky was inked onto the flat, uncarved surface of a block so that it fades from dark to lighter blue. The main block was inked with two rollers--black for the top 2/3 and dark brown for the bottom 1/3, with some blending in between. |
Amanda
I'm a woodblock printmaker who is committed to a non-toxic (or less toxic) art practice. I started out as a painter but found my way to printmaking through a love of paper and process. I seem to be falling for papermaking in the same way. I went to Syracuse University, where I studied painting (BFA) and museum studies (MA). I was a Resident Artist at the Howard County Center for the Arts for five years and previously worked at the National Museum of Women in the Arts. This blog is for posting works-in-progress and new works, as well as a few creative projects I've done with my kids. Archives
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